Cobweb Games is a dedicated 3D game art studio building custom characters, environments, hard surface models, vehicles, and props for game projects across Unity, Unreal Engine, and proprietary pipelines. Our 3D game art services cover the full technical stack: high-poly sculpting, retopology, UV mapping, PBR texturing, rigging readiness, and engine integration. Production-ready means the asset works in the engine, not just in Marmoset.
Topology is not a post-processing problem. It is a design decision made at the beginning of a model and one that determines whether the asset performs cleanly in the game engine or becomes the thing your tech artist is debugging at midnight before ship. Most 3D game art outsourcing studios think about topology after they are done making the asset look good. We think about it before we start, because a high-poly sculpt that cannot be retopologized for real-time use without restarting is not a game asset. It is a ZBrush portfolio piece. Every 3D asset Cobweb Games produces is built with the game engine as the final destination, not an afterthought.
Character modeling for games from concept reference to engine-ready delivery. Stylized and realistic characters with topology designed for animation deformation, not just surface quality. We handle the edge loops around joints that determine whether the character moves like a character or like a mesh that is being stretched. Facial topology for blend shape support, where the brief requires it.
3D environment art that fills a game world with the level of detail the gameplay actually needs at the distances the player encounters it. LOD chains built from the start, not added later when the GPU profiler causes a meeting. Modular environment design where the brief calls for it. Bespoke hero assets where it does not.
Weapons, vehicles, machinery, architecture, and the geometric precision that hard surface modeling requires. Clean edge flow, controlled bevels, and surface details that bake correctly from high-poly to low-poly without artifacts in the normal map.
Most games that fail do not fail because the idea was bad. They fail because the production did not have the right team or the right partner. The idea is the starting point. The production is where it becomes a game.
Low-poly character and environment models within the draw call and texture memory constraints of mobile hardware. PBR materials that approximate correctly on mobile rendering paths. LOD chains starting from a tighter budget than the PC equivalent.
Higher polygon budgets, denser normal map detail, and material complexity that a PC GPU can actually render at the frame rate the game targets. We calibrate the asset spec to the minimum hardware spec listed in the brief.
VR 3D art requires a tighter frame budget than flat-screen games because the cost of dropped frames is simulator sickness rather than a performance warning. We model VR assets with the frame budget in mind from the polycount decision onward.
Creative and technical direction across all 3D game art projects. The visual standard and the technical standard both run through Ali who is our Art Director.
Visual development that gives the 3D team an unambiguous production target.
Character modeling, sculpting, retopology, and texturing specialists.
3D environment design, modular asset production, and level art specialists.
Hard surface, prop, and vehicle modeling specialists across game-ready production.
Rigging prep, LOD generation, engine integration, and pipeline tooling.
We outsourced 3D character modeling to three studios before Cobweb. Every previous engagement had the same problem: the high-poly looked right, and the game-ready version had topology that made the animator's life difficult. Cobweb asked about our animation state machine requirements before they started modeling. The characters came back with edge loops in the right places. That is the difference between a studio that makes models and a studio that makes game assets.
We needed 40 game-ready environment assets in four weeks for a vertical slice. Cobweb delivered 38 in week three and two in week four. Every asset passed our engine import QA. The poly counts were within budget. The naming was clean. We had never had a delivery that clean from an external studio. We have worked with them on two projects since.
A production-ready 3D character from concept through textured and engine-ready delivery typically runs $800 to $3,000, depending on complexity and poly tier. Environment assets range from $200 to $1,500 per prop or modular set. Itemized quotes within 48 hours.
Design Rush
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